شعرية الخطاب السردي في رواية أتبرا خاصرة النهار لعادل سعد يوسف

Abstract

KoThis research aims to follow the poetic aspect, its elements, and techniques in the novel “Atbara, the Waist of the Day” by AdilSaadYoussif. We are trying to highlight this poetic aspect in this narrative artistic work and prove that it has been able to maintain its literal identity and its classification as a novel via the integrality of its narrative elements and techniques. The problematic this research is trying to study is contained in the following basic question: What are aspects of the poetic style in the novel “Atbara, the Waist of the Day” and in what are the major elements and aspects of their presence? To deal with this problematic, the research focused on looking for the elements of the poetic style and its aesthetics in this novel. The study concluded that this aspect is present in the novel. It is present in the wide usage of poetic forms and interior music in some narrative sections. It is although present via the condensed language and its aesthetics. Consequently, the discourse o the novel became attracting and capturing making the reader eager to follow its beauty, signs and connotations. As a result of that poetic aspect, the reader becomes less interested in the seriatim of the events which usually attracts the reader of traditional novels, concentrating on sequential and chronological concatenation, without caring to the beauty of the language, its ambiguity, its different connotations, or its images, which are very close this novel to the spirit of the poesy, in addition to their narrative values. This proves that the modern fiction production tend to qualitatively interfere with poesy in the current phase of its continual evolution